Showing posts with label Estes Park. Show all posts
Showing posts with label Estes Park. Show all posts

Sunday, October 16, 2016

Stanley Hotel

Stanley Hotel

Scott Ruthven
Stanley Hotel (Study)
11"X14" Oil on Linen Panel
The Stanley Hotel is in Estes Park, Colorado.  Built by F.O. Stanley (of Stanley Steamer fame) in 1909 to be one of the grandest hotels in the world.  It was originally painted yellow but I personally love the sharp, clean white and red combination.  Some of you may also know it was the inspiration for Stephen King's "The Shining" and parts of "Dumb and Dumber" were also filmed there.

I started this painting on location so as to really capture the early morning light.  I finished up the indication of windows and other details back in my studio.  I would like to make a much larger studio painting from this piece.

Click here to see it on my website.



Sunday, February 17, 2013

Blowing Snow - Hallett Peak and Flattop Mountain from Sprague Lake



Here is my effort from Saturday.  I drove up to Rocky Mountain National Park specifically to paint at Sprague Lake.  Up at Sprague, which is probably about 10,000 ft elevation, the temp was in the 20's and the wind blew at a steady 20-30MPH.  It's often windy in RMNP in the winter so no problem and as for the cold, once I begin to paint I become so engrossed in capturing my subject that I don't notice it.  To combat the wind I sat on a log so I could keep my tripod low to the ground (I usually stand while painting).  I also hung my weighted backpack from the tripod.  That still wasn't enough so I did the entire painting while holding my tripod down with my left hand.  The wind gusts were so forceful that I had to keep the lid on my mineral spirits can to ensure it didn't spill if the wind took it.

Painting in these tough conditions challenges me to see just what I can do.  The reward is potentially twofold: 1. I just might convey some of the feeling and imagery from the amazing show nature is putting on, and 2. I become more conditioned to focus on the key stuff and eliminate the unnecessary...both in my painting of the concept and subject matter and in the materials I bring and use.  If the painting is a disaster, I note what I learned so I can apply it next time and I take a deep breath and acknowledge the blessing of spending a few hours truly immersed in nature, seeing and experiencing what many never do.



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