Wednesday, October 31, 2012

Happy Halloween

Avery's Pumpkins by Scott Ruthven
24"x12" Oil on Canvas
SOLD
In this piece, I wanted to capture the vibrant colors and well defined shadows created by the intense late afternoon sun.  I like how the cast shadows made another set of pumpkin shapes too and there are some lovely reflected lights.  The corn and the ground plane were painted using layers of warm and cool transparent washes.

I'm working on a video to show the progression of this work.

Have a fun and safe halloween!







Monday, October 22, 2012

Autumn Harvest Plein Air Sketch

Autumn Harvest by Scott Ruthven
4"x5" Oil on hardboard
Fall is a beautiful time of year in Colorado when the sky is clear, the trees change colors and farmers harvest their crops.  This small study of Mt. Meeker and Longs Peak that I painted en plein air yesterday captures it all.  Artist Worthington Whittredge (of Hudson River School fame) painted some scenes close to this location in the late 1800's.

Saturday, September 29, 2012

Afternoon In The Garden

Afternoon In The Garden by Scott Ruthven
10"x8" Oil on canvas panel
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This is another piece I painted at the Grant Humphreys mansion during the Denver Plein Air Arts Festival in 2012.





Wednesday, September 26, 2012

The Three Kings

The Three Kings of Grant Humphreys By Scott Ruthven
The Three Kings of Grant Humphreys By Scott Ruthven
10"x20" Oil on canvas panel
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There is a famous mansion in Denver built in 1902 for James Grant, who had been the third Governor of Colorado.  Grant died in 1911 and his widow sold the neoclassical mansion to an oil baron, Albert Humphreys, in 1917.  The mansion now belongs to the Colorado Historic Society and it is also on the National Register of Historic Places.  Here's a link to the Wikipedia article.

The 2012 Denver Plein Air Festival held a paint-out at the mansion which I attended and painted another piece (I'll post about it another time).  On my way back to my truck I happened to turn and look up to the second story finding these three identical windows with their majestic lions.  I knew I had to paint them.  So, with the sun almost gone I started sketching one of the windows to get a feel for the complex ornamentation.  Needless to say, I had to make two more trips to the mansion to complete the painting.









 And, adding some water stains on the wall:


Monday, September 17, 2012

Colorado State Capitol - Plein Air

There's Gold In Your Future by Scott Ruthven
Colorado State Capitol 7"x5" Oil on Panel
I painted this picture of the Colorado State Capitol in Denver as the sun went down.  The sunlight reflecting off of the gold dome was so beautiful and warm which contrasted with the cool shadow areas beneath the trees and the constant stream of brake lights on Colfax Avenue.






































Wednesday, August 29, 2012

Denver Plein Air Arts Fest

I've been painting in the 2012 Denver Plein Air Arts Fest over the past couple of weeks.  This is my first year and it has been pretty fun.  Artists are allowed to paint at select locations between August 10th and September 16th.   Works that are juried in to the show in November will be eligible for awards and will hang in the Vida Ellison Gallery at the Denver Central Library.  Here are a few pics from the various sites.

One paint-out was held at the world famous Red Rocks Amphitheater in Morrison Colorado.  I've been there at night for concerts but watching the sunrise over Denver is a spiritual experience.

Red Rocks Amphitheater at dawn
Ready to paint the sunrise at Red Rocks

Scott Ruthven
One of my paintings of Red Rocks

I also decided to paint the State Capitol.  It wasn't my first choice since it is an obvious choice but I found a unique vantage point and captured the sunset glistening off the gold-covered dome.  I ended up painting by the lights from the Voorhies Memorial for an hour + after the sun set.  As it got dark, more and more homeless people started showing up.   One of them, named Bryon, said he loved my painting and though it looked photo-realistic.  Later, when discussing something else, he told me he had vision problems and could only see fuzzy shapes ;-)  That was a let down.  When I asked him if I should be worried about some of the troublesome looking folks starting to congregate he said not to worry as long as he was around he would protect me.  It was a nice gesture but he clearly didn't take into account I was armed with multiple paint brushes and cadmium pigments.

Scott Ruthven
Painting the Denver State Capitol
Bryon - a friendly homeless guy who I chatted
with as I painted past dark. 



























On another day we painted at the Grant-Humphreys mansion.  It's a beautiful old home and we had free reign of the grounds.  

I used the sight-size method for my drawing of the planter below.  The afternoon sun made the railings and planter glow against the dark foliage in the background.

Scott Ruthven
Sight-sizing initial drawing / values
Grant-Humphreys Mansion

Scott Ruthven
Planter at Grant-Humphreys Mansion

Scott Ruthven
Painting at Grant-Humphreys Mansion in Denver


The mansion also has wonderful architectural details which I decided to paint a few days later.  The piece I'm working on below required some detailed drawing.  I need to go down one more time to finish the painting.  So far it looks good; I'll post pics of it later.

Scott Ruthven
Drawing architectural details at Grant-Humphreys Mansion in Denver






Sunday, August 12, 2012

The Bee Keeper

The Bee Keeper by Scott Ruthven
The Bee Keeper by Scott Ruthven
5"x7" Oil on Canvas Panel
SOLD
Here's another piece in my small, plein air barns series.  The setting sun moved quickly tonight but I was able to mass in the darks and place a few warm lights in quickly so as to capture the effect.






Tuesday, August 7, 2012

Cactus

Cactus by Scott Ruthven
Cactus by Scott Ruthven
11"x14" Oil on Canvas Board
What a fun painting this was to paint!  The shadows intermingle with the form to create an interesting composition.  Varied edges and color temp changes lead the eye, create depth and define the center of interest.  The ground is full of texture created with palette knife and dry-brush techniques.  Touches of pure color on some of the spines and edges help create the sense of light.  I hope you like it!







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