Showing posts with label Rocky Mountain National Park. Show all posts
Showing posts with label Rocky Mountain National Park. Show all posts

Tuesday, August 20, 2013

An Update From Plein Air Rockies 2013

I'm very fortunate to be one of the 34 artists from the USA and Russia competing in this year's "Plein Air Rockies" event in Estes Park, Colorado.  We paint from August 10th through the 22nd and all our paintings go on display and for sale on August 25th.

I've been painting in Rocky Mountain National Park and in the town of Estes Park and have thoroughly enjoyed it!

Here's I'm just setting up to paint a boat scene.  I had to really focus to complete this big painting before the afternoon storms rolled in so no in-progress shots.  




 This is my finished painting at Milner's pass...10,000'+ elevation in Rocky Mountain National Park.


In progress shot of the Estes Park Aerial Tramway:

An Estes Park native!

I'll post more as the event wraps up.  Wish me luck on the competition and sale!







Sunday, February 17, 2013

Blowing Snow - Hallett Peak and Flattop Mountain from Sprague Lake



Here is my effort from Saturday.  I drove up to Rocky Mountain National Park specifically to paint at Sprague Lake.  Up at Sprague, which is probably about 10,000 ft elevation, the temp was in the 20's and the wind blew at a steady 20-30MPH.  It's often windy in RMNP in the winter so no problem and as for the cold, once I begin to paint I become so engrossed in capturing my subject that I don't notice it.  To combat the wind I sat on a log so I could keep my tripod low to the ground (I usually stand while painting).  I also hung my weighted backpack from the tripod.  That still wasn't enough so I did the entire painting while holding my tripod down with my left hand.  The wind gusts were so forceful that I had to keep the lid on my mineral spirits can to ensure it didn't spill if the wind took it.

Painting in these tough conditions challenges me to see just what I can do.  The reward is potentially twofold: 1. I just might convey some of the feeling and imagery from the amazing show nature is putting on, and 2. I become more conditioned to focus on the key stuff and eliminate the unnecessary...both in my painting of the concept and subject matter and in the materials I bring and use.  If the painting is a disaster, I note what I learned so I can apply it next time and I take a deep breath and acknowledge the blessing of spending a few hours truly immersed in nature, seeing and experiencing what many never do.



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